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  1. Jun 16,  · Die beiden Meisterwerke von Ambroise Thomas (), Hamlet und Mignon, stellen nur einen Bruchteil seines Opernschaffens dar. Weitgehend vergessen sind seine Werke für die Opéra comique in Paris, zu denen auch La cour de Célimène von gehört.4/5(2).
  2. There is some doubt over the date, but these principals only sang together for three performances in Feb It might be from any of the dates. Enjoy Tim Verdi Aida in house - most of act III about 25 mins Covent Garden Either 6, 9 or 13 February Aida Amy Shuard Radames Charles Craig Amonasro Peter Glossop C. Balkwill kps mono.
  3. Thomas, A.: La Cour de Celimene, an album by Ambroise Thomas, Andrew Litton on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes.
  4. In recent years, there has been increased interest in the works of Ambroise Thomas, particularly in his ambitious setting of Hamlet (). Opera Rara now takes a further important step in the rediscovery of this fascinating figure, with a new recording of his opéra-comique La Cour de Célimène.
  5. Act II, Scene IV: Harapha (Air): "Honour and arms scorn such a foe" Alastair Miles, Concentus Musicus Wien, Nikolaus Harnoncourt: Act II, Scene IV: Samson, Harapha (Duet): "Go baffled coward, go" / "Presume not on thy God" Alastair Miles, Anthony Rolfe Johnson.
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  7. View credits, reviews, tracks and shop for the CD release of La Cour de Célimène on Discogs.
  8. PIKOVAYA DAMA (THE QUEEN OF SPADES): two sequences — the final scene of Act II and the Act III duet between Lisa and Gherman — with Jean Madeira and Teresa Stratas SAMSON ET DALILA: the eponymous hero’s aria (“Arrêtez, ô mes frères!”) from Act I [].

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